Resolved Git warning LF will be replaced by CRLF in file March 6, 2020 1048PM While using git add command I was receiving below error. warning LF will be replaced by CRLF in The file will have its original line endings in your working directory In Unix systems the end of a line is represented with a line feed LF. In windows a line is represented with a carriage return CR and a line feed LF thus CRLF. when you get code from git that was uploaded from a unix system they will only have an LF. If you are a single developer working on a windows machine, and you don't care that git automatically replaces LFs to CRLFs, you can turn this warning off by typing the following in the git command line. git config true If you want to make an intelligent decision how git should handle this, read the documentation Formatting and whitespace issues are some of the more frustrating and subtle problems that many developers encounter when collaborating, especially cross-platform. It’s very easy for patches or other collaborated work to introduce subtle whitespace changes because editors silently introduce them, and if your files ever touch a Windows system, their line endings might be replaced. Git has a few configuration options to help with these issues. If you’re programming on Windows and working with people who are not or vice-versa, you’ll probably run into line-ending issues at some point. This is because Windows uses both a carriage-return character and a linefeed character for newlines in its files, whereas Mac and Linux systems use only the linefeed character. This is a subtle but incredibly annoying fact of cross-platform work; many editors on Windows silently replace existing LF-style line endings with CRLF, or insert both line-ending characters when the user hits the enter key. Git can handle this by auto-converting CRLF line endings into LF when you add a file to the index, and vice versa when it checks out code onto your filesystem. You can turn on this functionality with the setting. If you’re on a Windows machine, set it to true – this converts LF endings into CRLF when you check out code git config -global true If you’re on a Linux or Mac system that uses LF line endings, then you don’t want Git to automatically convert them when you check out files; however, if a file with CRLF endings accidentally gets introduced, then you may want Git to fix it. You can tell Git to convert CRLF to LF on commit but not the other way around by setting to input git config -global input This setup should leave you with CRLF endings in Windows checkouts, but LF endings on Mac and Linux systems and in the repository. If you’re a Windows programmer doing a Windows-only project, then you can turn off this functionality, recording the carriage returns in the repository by setting the config value to false git config -global false If you want, you can deactivate this feature in your git core config using git config false But it would be better to just get rid of the warnings using git config true Useful Articles Part 1 Git version control integration in Visual Studio Code Part 2 Git master branch source control integration in Visual Studio Code Part 3 Git clone version control integration in Visual Studio Code Remote Permission to UserName/ denied to OtherUserName fatal unable to access ' The requested URL returned error 403 Go Back500pxis a photography community where you can get immediate exposure with your first upload, connect and share your photos with the world, and grow as a photographer from anywhere
AbstractThe dynamic back-action caused by electromagnetic forces radiation pressure in optical1,2,3,4,5,6 and microwave7 cavities is of growing interest8. Back-action cooling, for example, is being pursued as a means of achieving the quantum ground state of macroscopic mechanical oscillators. Work in the optical domain has revolved around millimetre- or micrometre-scale structures using the radiation pressure force. By comparison, in microwave devices, low-loss superconducting structures have been used for gradient-force-mediated coupling to a nanomechanical oscillator of picogram mass7. Here we describe measurements of an optical system consisting of a pair of specially patterned nanoscale beams in which optical and mechanical energies are simultaneously localized to a cubic-micron-scale volume, and for which large per-photon optical gradient forces are realized. The resulting scale of the per-photon force and the mass of the structure enable the exploration of cavity optomechanical regimes in which, for example, the mechanical rigidity of the structure is dominantly provided by the internal light field itself. In addition to precision measurement and sensitive force detection9, nano-optomechanics may find application in reconfigurable and tunable photonic systems10, light-based radio-frequency communication11 and the generation of giant optical nonlinearities for wavelength conversion and optical buffering12. Your institute does not have access to this article Relevant articles Open Access articles citing this article. A thermomechanical finite strain shape memory alloy model and its application to bistable actuators Marian Sielenkämper & Stephan Wulfinghoff Acta Mechanica Open Access 06 July 2022 Active optomechanics Deshui Yu & Frank Vollmer Communications Physics Open Access 17 March 2022 Optomechanical crystals for spatial sensing of submicron sized particles D. Navarro-Urrios, E. Kang … G. Fytas Scientific Reports Open Access 09 April 2021 Access options Subscribe to JournalGet full journal access for 1 year185,98 €only 3,65 € per issueAll prices are NET prices. VAT will be added later in the calculation will be finalised during articleGet time limited or full article access on ReadCube.$ prices are NET prices. Additional access options Log in Learn about institutional subscriptions ReferencesArcizet, O., Cohadon, Briant, T., Pinard, M. & Heidmann, A. Radiation-pressure cooling and optomechanical instability of a micromirror. Nature 444, 71–73 2006ADS CAS Article Google Scholar Gigan, S. et al. 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Lett. 96, 103901 2006ADS Article Google Scholar Olson, R. H. & El-Kady, I. Microfabricated phononic crystal devices and applications. Meas. Sci. Technol. 20, 012002 2008ADS Article Google Scholar Download referencesAcknowledgementsThe authors would like to thank Q. Lin for extensive discussions regarding this work, and for pointing out the origin of the mechanical resonance interference. Funding for this work was provided by a US Defense Advanced Research Projects Agency seedling effort managed by H. Temkin, and through an Emerging Models and Technologies grant from the US National Science Contributions and performed the majority of the fabrication and testing of devices and performed the optical and mechanical simulations. along with and developed the device concept. and all contributed to planning the measurements. All authors worked together to write the informationAuthors and Affiliations Thomas J. Watson, Sr. Laboratory of Applied Physics, California Institute of Technology, Pasadena, California 91125, USA , Matt Eichenfield, Ryan Camacho, Jasper Chan, Kerry J. Vahala & Oskar PainterAuthorsMatt EichenfieldYou can also search for this author in PubMed Google ScholarRyan CamachoYou can also search for this author in PubMed Google ScholarJasper ChanYou can also search for this author in PubMed Google ScholarKerry J. VahalaYou can also search for this author in PubMed Google ScholarOskar PainterYou can also search for this author in PubMed Google ScholarCorresponding authorCorrespondence to Oskar informationSupplementary InformationThis file contains Supplementary Data, Supplementary Methods, Supplementary Figures S-1-S-3 with Legends and Supplementary References. PDF 558 kbPowerPoint slidesRights and permissionsAbout this articleCite this articleEichenfield, M., Camacho, R., Chan, J. et al. A picogram- and nanometre-scale photonic-crystal optomechanical cavity. Nature 459, 550–555 2009. citationReceived 15 December 2008Accepted 08 April 2009Published 13 May 2009Issue Date 28 May 2009DOI Further reading Active optomechanics Deshui Yu Frank Vollmer Communications Physics 2022 Optomechanical ratchet resonators Wenjie Nie Leqi Wang Yueheng Lan Science China Physics, Mechanics & Astronomy 2022 A thermomechanical finite strain shape memory alloy model and its application to bistable actuators Marian Sielenkämper Stephan Wulfinghoff Acta Mechanica 2022 Axial magnetic field effect on wave propagation in bi-layer FG graphene platelet-reinforced nanobeams Ashraf M. Zenkour Mohammed Sobhy Engineering with Computers 2022 Optomechanical crystals for spatial sensing of submicron sized particles D. Navarro-Urrios E. Kang G. Fytas Scientific Reports 2021 CommentsBy submitting a comment you agree to abide by our Terms and Community Guidelines. If you find something abusive or that does not comply with our terms or guidelines please flag it as inappropriate.
Thisis the mail system at host mwinf5d37.orange.fr. I'm sorry to have to inform you that your message could not be delivered to one or more recipients. The mail systemAdidas dropped more than a few jaws Wednesday after tweeting an ad for sports bras showing 25 pairs of bare breasts. "We believe women’s breasts in all shapes and sizes deserve support and comfort," the text of the tweet states. "Which is why our new sports bra range contains 43 styles, so everyone can find the right fit for them." The hashtag says "support is everything." The ad has so far garnered more than 24,000 likes. But as you can imagine, not everyone is liking its content, which shows no faces, just bare breasts. 'Borderline soft porn' One Twitter user replied to the ad like so "u guys can market ur new sports bras or products without the nudity; this isn't how body positivity is promoted. For crying out loud Twitter is a public platform that's also accessible to a lot of underaged kids; a tweet like this can corrupt someone. Do better." Another commenter wrote back to the longtime global brand with a decidedly blunt take "Maybe show the bras actually supporting the t**s? This isn’t page 3 hun." Adidas was unmoved, replying back that "we want to celebrate bodies in all their glory and proudly showcase how different we all are." Another user jumped into the chat "I get that...but this is borderline soft porn smh...pics IN the bras maybe?" But Adidas responded by exiting the sports apparel creator highway and heading down Moral Arbiter Street "Breasts are a natural part of the anatomy. It’s time to remove the stigma to allow future generations to flourish." Seth Dillon of the Babylon Bee then took on Adidas' stance "Okay, but so are penises and vaginas. Your reasoning for showing breasts leaves you with no reason not to post full nudity." After a user tried to put Dillon in his place by saying "you missed the point entirely, I see..." he simply fired back with a splash of cold water "The point was to exploit women's bodies to shock people into paying attention to Adidas for a minute." Adidas tweeted in a separate thread that "it’s important to normalize the human body and help inspire future generations to feel confident and unashamed." 'Amazing and brave' According to USA Today, Adidas tweeted that the volunteers who bared their breasts for the ad "were amazing and brave," and the corporation followed all social media policies. The paper said Adidas even was able to post the ad uncensored on a billboard. おいしい特産品をご自宅にお届け. オンラインで「海。. やま。. にかほの週末ランチ会」【秋田県にかほ市】. おいしい特産品を食べながら、“にかほ市暮らし”を紹介するオンラインイベントがあります。. 鳥海山から湧き出る豊富な水資源が育む農業と The story of Uluru began 550 million years ago, when India smashed into the West Australian coast. Credit Robyn Lawford Part of the magic of Uluru is the way it tricks your senses. Deep orange by day, at sunrise and sunset it appears to change color, becoming a more vibrant shade of red, and then almost purple. Its size also seems to change depending on your perspective. Approaching Uluru from afar you are struck by how small it appears. But as you get closer, you realize it is truly a huge mountain, a behemoth in the middle of the comparatively flat Australian desert. Australian geologists are now revealing yet another dimension to Uluru's magic the spectacular forces that led to its formation. Uluru is a time capsule. Within its sand grains there is an epic 550-million-year saga of continents colliding, mountains rising and falling, and the remarkable strength of our most iconic mountain. Uluru is sacred To the Anangu, Uluru is sacred. The Anangu are the owners of the land on which Uluru sits and they have long understood its magic. Their Dreaming stories tell of the dramatic creation of Uluru and Kata Tjuta on the previously featureless Earth by ancestral creator beings known as the Tjukuritja or Waparitja. If you get the opportunity to tour Uluru with a Traditional Owner you will hear stories about the significance of some of the dimples, caves and undulations, many of which have a unique and important place in Anangu culture. Compared to the Traditional Owners, whose knowledge dates back several tens of thousands of years, scientists have only realized the significance of Uluru over the last 30 years or so. Uluru's geological history has been revealed by assembling different types of data, like pieces of a giant jigsaw puzzle. That puzzle is taking shape and the scene it reveals is perhaps even more spectacular than the rock itself. To tell Uluru's story from the beginning we need to travel back in time 550 million years. India smashed into the Western Australian coast Earth's tectonic plates are constantly in motion, continents collide with each other and then rift apart. Around 550 million years ago, continents collided as part of the assembly of the supercontinent Gondwana, one of several times in Earth's history where most of the continents were stuck together in one continuous piece of land. Back then, a map of our globe would have looked very different. At this time, Antarctica was nestled against the Great Australian Bight. If you were around then you could have walked from Australia directly into Antarctica without getting your shoes wet. India was situated to the west of Western Australia when it was pulled toward our continent and smashed into the coastline. India and Australia's collision caused massive stresses to reverberate throughout the Australian crust, like waves of energy crashing through the continent. When those waves got to Central Australia, something pretty remarkable happened that geologists can understand by mapping the rocks beneath the surface. Those maps reveal a complex network of ancient, interwoven fractures and faults, similar to the famous San Andreas fault network. Unlike a fracture in your arm bone, these faults never healed, so they remained broken, forming weak zones susceptible to breaking and moving again. So, when the waves of energy from WA reached Central Australia, the network of fractures moved, pushing rock packages on top of each other. As the rocks moved past each other, they also moved upwards and were thrust into the air. Uluru resisted the forces of weathering that eroded other rocks. Credit Shutterstock An enormous mountain range emerged Each fault rupture moved the rocks so quickly that huge earthquakes shook the ground. Gradually, these faults uplifted an enormous mountain range. It was called the Petermann mountains, and it was unlike anything in Australia today. The mountains were hundreds of kilometers long and five kilometers high, more akin to the Indian Himalaya than Australia's Great Dividing Range. They were mostly made of granite, a rock that crystallizes from molten rock magma deep underground. This granite was pushed up to the surface in the mountain-building process. Normally, mountains would be covered in vegetation, but 550 million years ago land plants had not yet evolved, meaning these mountains were probably bare. Boulders cracked off, an ocean formed Bare mountains weather quickly because they are more exposed to rain and wind. Big cracks formed in the granite, splitting away rocks and boulders, which fell into rivers gushing down deep valleys carved into the mountain. As the eroded rocks tumbled in the torrential water, they broke apart, until only grains of sand remained, like the sand you see on the bottom of a river bed. These huge braided rivers came off the northern side of the Petermann mountains and snaked across the landscape until the rivers entered a low-lying region, called a sedimentary basin. When the river reached the basin, the sediment from the mountains dropped out of the water, depositing layer upon layer of sand. The weight of it pushed down on the underlying rock, causing the basin to deepen until it was kilometers thick. The overlying layers compacted the sand deposited previously, forming a rock called sandstone. Over time the basin continued to deepen and was covered by water, forming an inland ocean lapping at the foot of the huge mountain range. Ancient faults reawakened, and Uluru rose from the ocean Sediment continued to deposit into the ocean until about 300 million years ago when the ancient faults began to reawaken during a new mountain-building event called the Alice Springs orogeny. The thick layers of sand that had cemented into solid sandstone were uplifted above sea level. Squeezed together by huge tectonic forces, the layers buckled and folded into M-shapes. The apex, or hinge of folds, was compressed more than surrounding rocks, and it is from the hinge of a massive fold that Uluru formed. Folding and deformation made Uluru strong and able to resist the forces of weathering that eroded the surrounding, weaker rocks, including almost all of the once mighty Petermann mountains. If we could dig underneath Uluru, we would see it is only the very tip of a rock sequence that extends kilometers down under the surface, like a rock iceberg. Uluru is a sacred site to Anangu and our respect for their deep knowledge and ownership of this land means we no longer climb Uluṟu. But even if we could, why would we want to? Uluru's magic is most evident when you stand at its base, look up, and picture in your mind the enormous forces that conspired to form it. This article is republished from The Conversation under a Creative Commons license. Read the original article. Citation The epic, 550-million-year story of Uluṟu, and the spectacular forces that led to its formation 2021, December 29 retrieved 16 August 2022 from This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no part may be reproduced without the written permission. The content is provided for information purposes only.
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